THE PRIMAL SOUND
The Echo of Easter 2026
For Bella
I.
The morning is bright
because man has pawned
the darkness inside him
for a single birdsong
and that birdsong—
they let it vanish
like letting a man
walk into his own
last words
II.
The world lies like a child just put down by its mother—
Bella, the mother never put down
her arm hangs there
becoming the first
thing abandoned
because the world
lies in the evil one's hands
The child did not move
because the world
was glass
was that shattered
abyss
we all
later learned
to call
the ground
III. Man passes through man himself
The mist is no obstacle
dear Bella
it is man's own
breath
condensed
years ago
man passes through it
like a false prophet
through his own
funeral photograph
Some things untie
yet remain—
you spoke of the umbilical cord
of that
which everyone believes
already cut
yet still
in the deep night
suddenly tightens
that
inborn
debt
IV. The stone watches you
The gravestone remains. Covering the entrance
only not so heavy—
dear Bella
the stone grows light
not because of night
but because
it has learned
your weight
It now
waits
like you
and that entrance
was never covered
it is man's eye
on some morning
of childhood
seeing light
for the first time
then deciding
temporarily
to chase the world
to belong to the world
V. Light is the wound
The light has not come out, it is inside—
dear Bella, this is man's
core wound
man because of his own private heart
that damned monarch
shuts light in
making it become
a never-born
yet forever
in-delivery
internal
universe
VI. The earth splits
Easter
is not the earth splitting
is man's private words
that should split
dear Bella
someone has
found inside
the human body
a grave
never buried
and therefore
unable to resurrect
The night has not retreated
only loosened—
dear Bella
night is the earth's
mother tongue
all
poems about light
are
translated
from darkness
VII. Ash is man's temperature
Ash is warm
like fire still—
no, Bella
ash is warm
because you
once burned
and now
you have learned
to measure
love's
precise temperature
with embers
Men glanced at each other
then looked away—
this is not shyness
this is the etiquette
of survivors
We touched light
yet refused to speak
because to speak
is to
admit
we once
in darkness
claimed
each other
VIII. Love sinks
Love is there
without name—
Bella, you dare not
give it name
because there is bodily love
there is God's love
Naming is the beginning
of possession
and you know well
all
possessed light
will
extinguish
because man is but the remainder of spirit
merely breath in the nostrils
Only slowly changing
slowly sinking—
this is your
geology:
love is not
burning
is deposition
is transforming
the unbearable
brightness
into
bearable
depth
IX. Snow is your forgetting
Snow has not stopped
only too light—
dear Bella
this is man's
forgetting mechanism
you give all
too heavy
to the extreme distance
letting them
fall slowly
becoming
that kind of
distance
man can call
landscape
The road is ahead
also underfoot—
no, Bella
the road is that
blood vessel
you preserve for yourself
under snow
not yet
frozen stiff
need not see clearly
to walk—
this is man's
faith
in its most desperate
form:
not believing
there is light ahead
but believing
walking itself
can generate
enough heat
to keep them
from dying
of their own
clarity
X. Death is man's horizon
Death like distant mountains
still there
yet already receded—
Bella, the distant mountains
never receded
it is man
who learned
not to call them
the end
no longer closed—
this is man's
achievement:
man redefines death
as a kind of
open
continuity
Breath is light
almost inaudible—
Bella, this is your
final strategy:
making yourself
light enough
to be
unfindable
by death
XI. All things absent in each other
All things exist for each other
quietly approaching
yet each leaving blank space—
you spoke of
the essence
of relation:
we approach
in order to
confirm
distance
this is your
social poetics:
every
"each other"
is
two
lonelinesses
that can never
truly
meet
exchanging
their
contours
XII. The primal sound is man's silence
The primal sound
has not vanished—
Bella, this is man's
ultimate lie
the sound never
existed
what existed was
man's desire for sound
so intense
that you invented
silence
to bear it
It is too far
also too near—
this is your
spatial paradox:
you can only
desire
those things
simultaneously
inside you
and
at infinite distance
like faint yet bright
under snow—
no, Bella
under snow
there is no light
what is there is
you
continuously
digging downward
that
stubbornness
that
ancient human
error
of mistaking
darkness
for light
Always there—
yes, Bella
what is always there
is not
the sound
is your
listening
is that ear
forever
open
under snow
yet
forever
empty
Coda: For Dear Bella
This poem
is not gift
is testimony
I testify:
the world wrote
a poem about
light
while the world itself
is
darkness
this is not
criticism
this is
recognition
Nobel-level is
not
the victory
of light
is
their daring
in the
brightest
morning
to admit:
I
am
the internal
universe
that light
cannot
illuminate